Murder on the Orient Express

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Film Review by Kam Williams

Complex Costume Drama Does Justice to Agatha Christie’s Classic Whodunit!

First published in 1936, Murder on the Orient Express revolved around the most famous case handled by Inspector Hercule Poirot. Created by Agatha Christie, the Belgian detective appeared in 33 of her novels, as well as a play and over 50 short stories.

This complex crime caper was first brought to the big screen by Sidney Lumet in a fairly faithful adaptation co-starring Lauren Bacall, Sean Connery, Ingrid Bergman, Anthony Perkins, Vanessa Redgrave, Sir John Gielgud, Albert Finney and Jacqueline Bisset. Bergman won the last of her three Oscars for her sterling performance as Greta Ohlsson, a Swedish nurse.

Murder on the Orient Express 2.0 was directed by five-time, Oscar-nominee Kenneth Branagh who assembled a top-flight cast with an equally-impressive pedigree. His A-List ensemble features Academy Award-winners Judi Dench and Penelope Cruz, along with nominees Michelle Pfeiffer, Willem Dafoe and Johnny Depp.

Branagh also stars as Poirot, sporting a world-class mustache while playing the super sleuth with perfect aplomb. The visually-captivating costume drama is perhaps more memorable for its breathtaking panoramas than the deliberately-paced mystery which takes its sweet time to be unraveled.

The picture’s point of departure is Jerusalem, which is where we find Poirot paying homage at the Wailing Wall before boarding a slow boat to Istanbul. There, he starts soaking in the sights until the vacation is cut short by a telegram summoning him back to London immediately.

With the help of a fellow Belgian who happens to be a train company executive (Tom Bateman), he secures a berth aboard the lavishly-outfitted Orient Express for what he reasonably expected to be an unremarkable three-day trip. However, he shifts into detective mode when an American art dealer (Johnny Depp) dies soon after expressing a fear of being killed.

As Poirot digs deeper and deeper for clues, we gradually see that each of the 13 passengers had a good reason to want the unsavory character dead. Sure, everybody’s a suspect, but which one’s a murderer?

An Agatha Christie classic whodunit solved the old-fashioned way… by the extraordinary deductive reasoning of the legendary Hercule Poirot!


Excellent (3.5 stars)

Rated PG-13 for violence, ethnic slurs and mature themes

In English and French with subtitles

Running time: 114 minutes

Production Studio: Kinberg Genre / The Mark Gordon Company

Distributor: 20th Century Fox


To see a trailer for Murder on the Orient Express, visit:

About Kam Williams 155 Articles
Kam Williams is a syndicated film and book critic who writes for 100+ publications around the world. He is a member of the Philadelphia Film Critics Circle, the African-American Film Critics Association, New York Film Critics Online, the NAACP Image Awards Nominating Committee and Rotten Tomatoes. In addition to a BA in Black Studies from Cornell, he has an MA in English from Brown, an MBA from The Wharton School, and a JD from Boston University.

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