From Media Reports
EL PASO, Texas – Sherman Hemsley, who as George Jefferson ensured that black folks would never again be invisible on television, died Tuesday at his home on the eastside of El Paso. He was 74.
Sources told TMZ that Hemsley was discovered by his nurse who initially believed the actor was asleep. Once she realized something was wrong, she called for help.
Hemsley reportedly died of natural causes. Sources said Hemsley was not married and didn’t have any children.
The Philadelphia-born Hemsley first played the blustering black Harlem businessman on CBS's “All in the Family'' before he was spun off onto “The Jeffersons,'' which in 11 seasons from 1975 to 1985 became one of TV's most successful comedies – particularly noteworthy with its mostly black cast.
Hemsley made George Jefferson one television's most memorable characters and a symbol for urban upward mobility. With the gospel-style theme song of “Movin' On Up,'' the hit show depicted the wealthy former neighbors of Archie and Edith Bunker in Queens as they made their way on New York's Upper East Side. Hemsley and the Jeffersons (Isabel Sanford played his wife) often dealt with contemporary issues of racism, but more frequently reveled in the TV comedy archetype of a short-tempered, opinionated patriarch trying, often unsuccessfully to control his family.
Hemsley's feisty, diminutive father with an exaggerated strut was a kind of black corollary to Archie Bunker – a stubborn, high-strung man who had a deep dislike for whites. Yet unlike the blue-collar Bunker, played by Carroll O'Connor, he was a successful businessman whose was as rich as he was crass. His wife, Weezie, was often his foil – yet provided plenty of zingers as well.
Despite the character's many faults – money-driven, prejudiced, temperamental, a boar – Hemsley managed to make the character endearing as well, part of the reason it stayed on the air for so long. Much like O'Connor's portrayal of Archie Bunker, deep down, Hemsley's Jefferson loved his family, his friends (even the ones he relentlessly teased) and had a good heart. His performance was Emmy and Golden Globe nominated.
“He was a love of a guy'' and “immensely talented,'' said Norman Lear, producer of “The Jeffersons'' and “All in the Family,'' after learning of his death.
“When the Jeffersons moved in next door to the Bunkers, I wanted to deliver the George Jefferson who could stand up to Archie Bunker,'' Lear recalled Tuesday.
“It took some weeks before I remembered having seen Sherman in `Purlie' on Broadway.''
Hemsley read for the part and “the minute he opened his mouth he was George Jefferson,'' Lear said. Hemsley was smaller than O'Connor's Archie but “he was every bit as strong as Archie,'' Lear said.
Sherman Alexander Hemsley, though, was far less feisty. The son of a printing press-working father and a factory-working mother, Hemsley served in the Air Force and worked for eight years as a clerk for the Postal Service.
Having studied acting as an adolescent at the Philadelphia Academy of Dramatic Arts, he began acting in New York workshops and theater companies, including the Negro Ensemble Company. For years, he kept his job at the post office while acting at night, before transitioning to acting full-time.
He made his Broadway debut in 1970's “Purlie,'' a musical adaptation of Ossie Davis' play “Purlie Victorious.'' (Hemsley would later star in a 1981 made-for-TV version of “Purlie,'' as well.) It was while touring the show that Hemsley was approached by producer Lear (''Good Times,'' “Sanford and Son'') about playing a character on the show that would become “All in the Family.''
Hemsley joined the show in 1973, immediately catapulting himself from an obscure theater actor to a hit character on the enormously popular show. Two years later, “The Jeffersons'' was spun off. Among the numerous “All in the Family'' spin-offs (''Maude,'' `'Archie Bunker's Place, “704 Hauser''), “The Jeffersons'' was the longest-running.
The character, the owner of a chain of dry-cleaning stores, was devised, Hemsley said, as “pompous and feisty.''
“All of it was really hard for because – rude, I don't like to be that way,'' Hemsley said in a 2003 interview for the Archive of American Television. “But it was the character, I had to do it. I had to be true to the character. If I was to pull back something, then it just wouldn't work.''
After “The Jeffersons'' was abruptly cancelled, Hemsley starred in the comedy “Amen'' as a fiery Philadelphia church deacon, Ernest Frye. The show latest five years, running 1986 to 1991.
Jackee Harry, a longtime friend who made appearances on the show, said she and Hemsley had planned to tour in the musical “Ain't Misbehavin''' based on the music of jazzman Fats Waller. She said they had discussed it recently and that he seemed in good health and in good spirits.
“It's a sad, sad, sad day,'' she said from her home in Beverly Hills.
She recalled when the two of them were on a Manhattan sidewalk during the era of “The Jeffersons,'' and passersby went wild.
“He got mauled and mugged,'' she laughed. “He said, ‘What's all the screaming about?' He was so popular and he didn't even know it.''
She described him as “a very private person unlike George Jefferson. But he was very kind and very sweet, and generous to a fault.''
Hemsley frequently turned up as a guest on comedies like “Family Matters,'' ‘'The Hughleys'' and even, in a voice role, “Family Guy.'' He twice reprised George Jefferson, appearing as his famous character on “The Fresh Prince of Bel-Air'' and, in 2011, on “House of Payne.''
Hemsley, whose films include 1979's “Love at First Bite,'' 1987's “Stewardess School'' and 1987's “Ghost Fever,'' released an album, “Ain't That a Kick in the Head,'' in 1989.